Movies: Apichatpong Weerasethakul

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked ...

A short film directed by Apichatpong Weerasethakul in collaboration with composer Rafiq Bhatia and the Cincinnati Symphony Orchestra....

A short film made for "Venezia 70 - Future Reloaded."...

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memo...

From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light movi...

A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency projec...

The work is part of the Memoria Project, the first major series of work that is set outside of Weerasethakul’s home country. Given his affinity for the Amazon, of which Thai jungle tales were originally inspired, Weerasethakul has started to explore ...

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for h...

Tilda Swinton, a British actress and friend of Weerasethkul, organized Film on the Rocks, a film festival in the Maldives where she invited the artist to take part in the project. While he was with her, Weerasethakul asked Swinton to recall her dream...

Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong ...

Apichatpong Weerasethakul's submission to 30/30 Vision....

Three digital short films: 'Worldly Desires' by Apichatpong Weerasethakul, 'Haze' by Tsukamoto Shinya, 'Magician(s)' by Song Il-Gon...

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking...

The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country's railway system, this wondrous documentary offers an unprecedented immersion into the country's...

A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia....

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. ...

For over 20 years, Werasethakul has worked with the same crew and actors. In this video, he asks two of his close collaborators to recount and perform their dreams for the camera. Here Jenjira shares a childhood dream in with her deceased brother rea...

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The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor....

The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker i...